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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is considered a seminal work of synth-pop.

He later founded the innovative techno group The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that show, Ball appeared in a mobility chair, as he had for the last two years, after a spate of health issues.

"I managed to damage myself significantly," he commented in a recent interview. "I fractured spinal bones in my back and cracked about five ribs and fractured my arm."

After catching a lung infection and developing sepsis, he was placed in an induced coma and remained in the hospital for seven months.

However, he had been in "a great place mentally" over the summer, as he was developing a fresh record with Almond, titled Danceteria, which is set for release next year.

"He was concentrated and very pleased with the latest project that we literally completed only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an positive year for him, and I take some solace from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is different from being in a group, the connection is very tight," he added.
"That's how it was with us. We went through so many remarkable, incredible, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who altered his given name from his birth name to David, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a mutual passion of a music genre, they formed Soft Cell the same year, and quickly recorded an extended play.

Creative Collaboration

The duo were an unusual combination: Ball was the reserved musician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a unique creative synergy.

Ball had developed a interest with synthesizers after watching the band Kraftwerk perform on BBC science show Tomorrow's World, and started to marry dark electronica to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, selling millions of units globally. Together with hits by Gary Numan, contemporary bands and electronic acts, it contributed to paved the way for the electronic music style of the 1980s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Career Highlights

Fame had its upsides. "I loved being able to purchase my first home, having money and travelling, which makes me sound like a Miss World," Ball not long ago shared with a publication.

But it also presented challenges. "Newfound wealth meant we could afford substances to alleviate the boredom" of media interviews and television shows, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also growing distant, but they succeeded to create a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting record Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, that year.

Yet, they stayed together, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the band's new album as a homage to the New York club scene they visited while recording their first two albums.

He added that his time in medical care had shaped the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"In parallel, it's about the times me and Marc got up to in the 1980s."

The final mixes were completed only days before Ball passed away. It is due for launch in the spring of 2026.

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